Categories
Contemporary 当代 艺术家

Contemporary | Hu Weiyi – A Contemporary Artist Crossing Virtual and Reality

Hu Weiyi, a Shanghai artist born in 1990, has emerged in the contemporary art world with his unique artistic perspective.

His artistic career began at the China Academy of Fine Arts. Graduated from the Public Art major in 2013, and obtained a Master’s degree from the Cross Media Art Department.

the artist

Hu Weiyi’s artistic journey was not accidental. His father Hu Jieming is also an active artist at the forefront of contemporary art.

In his family background, Hu Weiyi grew up in an artistic atmosphere and had the opportunity to assist and participate in the process of artistic practice since childhood. This special growth experience has given him a unique understanding and perspective on art. Under the influence of his father, Hu Weiyi’s attitude towards “art” was serious and equal.

He believes that art is a daily expression or an ordinary profession, and this attitude keeps him calm and objective in artistic creation.

Thus creating more authentic and profound works.

Hu Weiyi, Blue Bones No. 6, 2020

“Hu Weiyi’s works are very talented, able to inspire strong emotional feedback from the audience, have an independent life, and often surpass his age and even his era.”

Hu Weiyi’s creative genres cover various media such as photography, imaging, and installation.

His creative inspiration often comes from daily life and social phenomena, and through unique perspectives and expressions.

In his works, we can see profound reflection and criticism of the real world, as well as exploration and questioning of human,nature, life.

Traceless

Imaging device 170 x 95 x 20cm 2019
Traceless

Imaging device 170 x 95 x 20cm 2019

Hu Weiyi is skilled at combining various media for creation. It regards urban space as the subject of creation and explores the core of social and cultural.

Hu Weiyi’s Artistic Concepts

His works such as “Low Level Landscape Series” and “Erosion Series” are in-depth explorations of urban space and human nature.

In the “Low Level Landscape Series”, he documented the neglected and forgotten corners of the city through photography and imagination.

In the “Erosion” series, he uses artistic installation techniques to bring the audience into a space full of tension and conflict, triggering their reflection and reflection on the real world. He used this movie to capture the magnificent landscapes of nature, such as mountains, rivers, and rocks.

Then, he extracted gastric juice from the hospital and created another creation using the strong acidic corrosive film of gastric juice. In the darkroom, he put the film in his stomach and “printed” it.

After being burned by stomach acid, the movie was covered in blurry colors, creating a distorted and picturesque scenery, as beautiful as a sunset.

When lying on the hospital bed, the doctor inserts a tube directly from the nose into the stomach to extract stomach acid. The pain even made him burst into tears, and this process was just a physical act.

Through the involvement of his organism, this young artist engaged in an intensive, lengthy, and chemical dialogue with nature. He referred to this series as “natural geography” and it is still ongoing.

Hu Weiyi in Art

You can feel that Hu Weiyi pays great attention to details and texture in the creative process. He is good at using various materials and techniques to polish every detail of his work to perfection. This attention to details gives his works a strong infectious and influential influence, deeply moving the hearts of the audience.

mount
mount

Hu Weiyi’s artistic achievements have been widely recognized and praised. Received the 2nd Huayu Youth Award Organizing Committee Award for his work “Quietly Waiting for Light to Pass Through My Body”. This award is of great significance to him, not only affirming his personal talent, but also affirming his artistic philosophy. In addition, he also received multiple honors such as the 9th AAC Art China Annual Youth Artist Nomination Award. The acquisition of these honors not only brought him personal honor and respect, but also injected new vitality and momentum into the contemporary art community in China.

Hu Weiyi’s Exhibition

Hu Weiyi: Quietly Waiting for Light to Pass Through My Body | Contemporary Art | Photography | Artist NetEase Subscription

Sources

Hu Weiyi: Quietly waiting for light to pass through his body

Reading Files | Hu Weiyi: Blue Bones

Hu Weiyi and his earthly beauty

art- ba-ba

Categories
当代

当代 | 插画家文那:墙壁上的奇异神灵世界

Wen Na is a Chinese artist who through the mural painting manages to recreate fantastic worlds made of deities and ghosts. Wen Na’s wall painting is full of imagination and superb craftsmanship, so much so that it gained fame in the Chinese art scene and also attracted global attention.

Wen Na

Although the artist during college, in 1980, was more attracted to Western books and illustrations, traditional culture is more deeply rooted in his mind and his creations because of the influence of the family.
After graduating from the Tsinghua Academy of Fine Arts she left her job as an illustrator, for a newspaper supported by the state, to work as a freelance artist making murals, sculptures and all kinds of artistic creations related to her original images of celestial beings. The latter under the pen of the Chinese artist are rendered through bright colors and modern clothes, and it is only their way to ride the mists and clouds that remind people of the spirit of Chinese fairy tales.

Wen Na - Shaxixi Sadness
Wen Na – Shaxixi Sadness

In 2010, Wen Na made her first colorful mural in the village of Sanbao, Jingdezhen, where the famous ceramic artist Jackson Li had built his studio and an international ceramic institution popular with foreign artists and art lovers. The unexpected meeting later led to the creation of numerous impressive murals in Sanbao and then to the rise of Wen as a muralist.

Wen Na - Murales in Sambao
Wen Na – Murales in Sambao

Now, the murals on the Sanbao brick walls have become mottled after years of exposure to time. A wall has even been demolished but the artist believes that this is the beauty of wall painting.
“I prefer to paint on naturally shaped objects or exterior walls of architectures, so the murals will pass through their changes over time, as if they had their lives”.

Wen Na - Murales in Sambao
Wen Na – Murales in Sambao

In recent years, Wen Na has traveled to many places in the world to paint her original images on almost 100 walls.
Also in 2010 she painted on a wall for an art center in Italy, which attracted the attention of the western artistic community to her for the first time.
In that small town at the top of the mountains overlooking the blue Mediterranean bay, Wen painted two demigods “Qianshan and Zhaohai”, which literally means “pulling mountains” and “shining on the sea surface” in Chinese. In his imagination, Qianshan is a mountain spirit that connects and pulls the numerous hills with a rope. “Imagine being able to use a rope to pull on all the mountains, the goddess able to exert her power lightly would have an inexhaustible strength”.

Wen Na - Learn from the mountain
Wen Na – Learn from the mountain

Zhaohai refers to the spirit of the sea, because one night the artist had seen a stretch of white reflection of the moon on the surface of the sea. “Immersing in the scenarios, I asked myself if there is a god who illuminates the surface of the wide and dark sea every night for people”.

Wen Na - Learn from the mountain
Wen Na – Learn from the mountain

In 2017 she worked for the French luxury brand Hermes during her famous art exhibition “Wonderland” in Shanghai which included the opening of 11 showrooms that evoke a fantasy world with Parisian landscapes as a backdrop. Wen Na painted a mural entitled “Paris-Shanghai”, with a Parisian subway scene.

Wen Na - Wanderland
Wen Na – Wanderland

Visitors to her artistic space in the exhibition are introduced in a long corridor modeled on a subway station, where they find walls on both sides full of grotesque images of gods, goblins and other mythical creatures.

Wen Na - Wanderland
Wen Na – Wanderland

Wen Na - Wanderland
Wen Na – Wanderland

Like the ultramodern appearance of her Hermes “spirits”, Wen Na’s images derive from her childish indulgence in traditional culture, powerful imagination and appreciation of the culture and distinctive landscapes in which the mural is designed to fit.

“I am inspired by archaic Chinese elements such as the Dunhuang frescoes, stone tablets and classical literary works including The Pilgrimage to the West, The First Myth and The Classics of Mountains and Rivers”.

Wen Na - Murales
Wen Na – Murales

The “Chinese immortals” created by Wen Na have become in these days a sort of cultural icon in the Chinese artistic community.
“I did not learn traditional Chinese painting, so I use the Chinese brush the same way I use the pen, and I’m not particularly interested in painting materials, I actually paint on anything as long as its surface can be colored” she said. Through the painting on the walls, the explorer artist discovers that the images originally “flat” have been given an impression of three-dimensional space.

Wen Na - Murales
Wen Na – Murales

Wen Na - Murales
Wen Na – Murales

Exhibitions:
2010   Murales in Sanbao village
2010   “Qianshan and Zhaohai” Italy, for art center
2010 “Nine Songs of Dark Map” Songjiang, Shanghai
2013 “Numerous map” Beijing Hao restaurant
2013 “Shaxixi Sadness” Dali Xishe
2014 “Wen of the Scriptures”  Chinatown in Mauritius
2015 Pictures of the UGC cinema in Lyon on the glass wall
2015 “Map of the pearls” New Zealand
2017   “Wonderland” art exhibition in Shanghai,for Hermes

References:
http://www.sino-us.com/250/15335695086.html
https://kknews.cc/culture/4p6zqog.html