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Contemporary 当代 艺术家

Contemporary | Hu Weiyi – A Contemporary Artist Crossing Virtual and Reality

Hu Weiyi, a Shanghai artist born in 1990, has emerged in the contemporary art world with his unique artistic perspective.

His artistic career began at the China Academy of Fine Arts. Graduated from the Public Art major in 2013, and obtained a Master’s degree from the Cross Media Art Department.

the artist

Hu Weiyi’s artistic journey was not accidental. His father Hu Jieming is also an active artist at the forefront of contemporary art.

In his family background, Hu Weiyi grew up in an artistic atmosphere and had the opportunity to assist and participate in the process of artistic practice since childhood. This special growth experience has given him a unique understanding and perspective on art. Under the influence of his father, Hu Weiyi’s attitude towards “art” was serious and equal.

He believes that art is a daily expression or an ordinary profession, and this attitude keeps him calm and objective in artistic creation.

Thus creating more authentic and profound works.

Hu Weiyi, Blue Bones No. 6, 2020

“Hu Weiyi’s works are very talented, able to inspire strong emotional feedback from the audience, have an independent life, and often surpass his age and even his era.”

Hu Weiyi’s creative genres cover various media such as photography, imaging, and installation.

His creative inspiration often comes from daily life and social phenomena, and through unique perspectives and expressions.

In his works, we can see profound reflection and criticism of the real world, as well as exploration and questioning of human,nature, life.

Traceless

Imaging device 170 x 95 x 20cm 2019
Traceless

Imaging device 170 x 95 x 20cm 2019

Hu Weiyi is skilled at combining various media for creation. It regards urban space as the subject of creation and explores the core of social and cultural.

Hu Weiyi’s Artistic Concepts

His works such as “Low Level Landscape Series” and “Erosion Series” are in-depth explorations of urban space and human nature.

In the “Low Level Landscape Series”, he documented the neglected and forgotten corners of the city through photography and imagination.

In the “Erosion” series, he uses artistic installation techniques to bring the audience into a space full of tension and conflict, triggering their reflection and reflection on the real world. He used this movie to capture the magnificent landscapes of nature, such as mountains, rivers, and rocks.

Then, he extracted gastric juice from the hospital and created another creation using the strong acidic corrosive film of gastric juice. In the darkroom, he put the film in his stomach and “printed” it.

After being burned by stomach acid, the movie was covered in blurry colors, creating a distorted and picturesque scenery, as beautiful as a sunset.

When lying on the hospital bed, the doctor inserts a tube directly from the nose into the stomach to extract stomach acid. The pain even made him burst into tears, and this process was just a physical act.

Through the involvement of his organism, this young artist engaged in an intensive, lengthy, and chemical dialogue with nature. He referred to this series as “natural geography” and it is still ongoing.

Hu Weiyi in Art

You can feel that Hu Weiyi pays great attention to details and texture in the creative process. He is good at using various materials and techniques to polish every detail of his work to perfection. This attention to details gives his works a strong infectious and influential influence, deeply moving the hearts of the audience.

mount
mount

Hu Weiyi’s artistic achievements have been widely recognized and praised. Received the 2nd Huayu Youth Award Organizing Committee Award for his work “Quietly Waiting for Light to Pass Through My Body”. This award is of great significance to him, not only affirming his personal talent, but also affirming his artistic philosophy. In addition, he also received multiple honors such as the 9th AAC Art China Annual Youth Artist Nomination Award. The acquisition of these honors not only brought him personal honor and respect, but also injected new vitality and momentum into the contemporary art community in China.

Hu Weiyi’s Exhibition

Hu Weiyi: Quietly Waiting for Light to Pass Through My Body | Contemporary Art | Photography | Artist NetEase Subscription

Sources

Hu Weiyi: Quietly waiting for light to pass through his body

Reading Files | Hu Weiyi: Blue Bones

Hu Weiyi and his earthly beauty

art- ba-ba

Categories
Contemporary 当代 艺术家

Contemporary | Feng Bingyi – The World Under the Interweaving of Time and Space

Feng Bingyi, born in Ningbo in 1991, entered the Cross Media Art School of China Academy of Fine Arts in 2009.

Entered the Experimental Imaging Studio in 2011. Graduated from the Cross Media Art School of China Academy of Fine Arts.

Graduated from Chelsea School of Art, University of the Arts London with a Master’s degree in Fine Art.I currently work and live in Shanghai.

About Helga and Others

This young artist born in 1991 has emerged in the contemporary art world with his unique artistic style.

Above all,her works are not only refreshing.

In other words, also leading a new trend of artistic innovation.

Feng Bingyi’s Art Language

Feng Bingyi’s works have always been known for their delicate and fresh artistic language and unique spatial painting forms.

The work is a young artist who constantly explores and innovates in the field of visual art. Her artistic philosophy is deeply influenced by image art and film.

Using visual language between the two as a means of expressing thoughts and emotions.

Feng Bingyi’s works are not only simple records of reality, however the process of constructing a confident narrative space.

Firstly, starting from Romanticism, starting from the enormous connection between humans and the universe.

Secondly, similarly then returning to the natural connection between humans and the universe.

Further the artist hopes to use her curiosity and admiration for the universe.

Similarly to bring people back to the equally peaceful and hopeful starry sky.

Time Slice Museum

Feng Bingyi’s Style

Feng Bingyi’s characteristic is to use visual language between visual art and film as a medium of expression.

And to construct a narrative space of self perception through poetic language. Her works clearly perceive the deepening relationship between text and images.

Usually, it takes text as the starting point for creation, finds logical breakthroughs through text annotations and explanations. This creative approach fills Feng Bingyi’s works with uncertainty and openness, providing audiences with rich interpretation space.

Time Slice Museum

Feng Bingyi is attaches great importance to the influence of different possibilities between space, text, and narration on visual language.

Therefore,her creative forms including visual installations, photography, and animation, all of which provide a broad stage for the presentation of Feng Bingyi’s artistic concepts.

Feng Bingyi’s artistic style is unique and clear, and her works are full of poetry and philosophy.

She knows how to observe and interpret the world with a kind gaze, and conveys a gentle and firm power through her works.

Time Slice Museum

Her works no longer use abstract symbols popular after World War II, after that is also simplify storytelling through concrete images.

And this type of “reproduction” is not simply imitating, but rather presenting hidden truths in scenes.

Allowing the public to have countless possible moments in the visual perception of their works.

This sense of interweaving time and space fills his works with mysterious and fantastical colors.

Giving people a feeling of being in a fantasy world beyond reality.

Feng Bingyi’s Exhibition

In conclusion exhibitions such as “She Walk in Beauty”, “Fool’s Gold”.

The main group exhibitions include “The Story of Your Life I” (Long March Space, Beijing), “Taiping Guangji” (Red Brick Art Museum, Beijing), “The Goodable Strange” (UnArt Center, Shanghai), “Endless Grass” (Delaware Contemporary Art Museum, USA), “Retreat the Waves” (Helsinki Image Art Festival, Finland), and Berlin PANDAMONIUM – Media Art From Shanghai.

Sources

[AAC Special Article] Feng Bingyi: My creative ideas and myself have grown together

Your Life Story II | Feng Bingyi

Feng Bingyi: Cold Facts

Character | Feng Bingyi: A World Interwoven with Time and Space

Categories
Contemporary 当代 艺术家

Contemporary | Feng Zhixuan – Symbols and Civilization

Feng Zhixuan was born in Wenzhou, Zhejiang in 1993.

He obtained a bachelor’s degree from the China Academy of Fine Arts,and a master’s degree from the Sculpture Department of the Royal Academy of Arts.

becoming a member of the Royal Sculpture Association. I currently live and work in Shanghai and Beijing.

Feng Zhixuan:

Artist Feng Zhixuan’s rich and colorful life and artistic experiences constantly inspire inspiration. His works use materials hidden in daily plots to carry out historical actions and evoke cultural resonance.

Cultural elements emerge from highly personalized material forms, transforming into historical and improvisational narratives.

Creating a nomadic archipelago civilization that transcends a single period and specific location.

His sculpture installations always exhibit tension, dynamically blending elements of mythology, decoration, exploration, and spatial imagination.

For him, materials are the glue of culture and the result of his outdated self-examination.

Feng Zhixuan:

Each of his works is filled with traces of resistance against contemporary urban environments and inhumane production.

Constantly creating a vertically structured experience through creation and nomadic exhibitions. While collecting relics from the ruins of the hot spring industry, he cultivates an ecosystem of human imagination.

Feng Zhixuan and Materials

Feng Zhixuan’s artistic works are renowned for his unique exploration and creative use of materials. It proficiently uses various contemporary materials, such as aluminum frames, flame-retardant polyurethane insulators for refrigerators, etc.

To create works of art full of mythological and exotic colors.

His works not only reflect a profound understanding of materials, but also unique insights into the era of global localization.

Feng Zhixuan:

For Feng Zhixuan’s creative techniques, he is full of immediacy and arbitrariness.

He is not obsessed with the concept of uniqueness.

But constantly promotes a new craft, discovers a new material, and seeks a new creative path. In order to break free from the control of singularity, he decided to travel and create like a nomadic people.

Walking Feng Zhixuan

He started from the land in his hometown Wenzhou, where the guided wave blocks used by fishermen for fishing gave him inspiration for his creations.

He stepped onto the edge of the mainstream perspective, touching on the structure of Panamanian civilization and indigenous peoples in the Americas; He traversed the ravages of epidemics and slow social states, which brought him contemplation of the tense relationship between humans and nature.

Feng Zhixuan:

This nomadic journey of life represents the complexity and diversity of Feng Zhixuan’s works, and also lays the foundation for his continuous attention to the present, expansion of his field, and contemporary artistic concepts.

In Whitman’s poetry, poets stack different objects together and create subtle connections between them, which Feng Zhixuan also practiced in his creations.

You can hear it in the artist’s studio, where there are many small experiments. Feng Zhixuan also collected many small materials and sculptures. His way of working is to constantly advance a new process or discover a new material, a new creative method. Feng Zhixuan is doing such work every day, and these achievements will be scattered in the artist’s studio.

He said that if he had to present a work, he would put them together and mix different materials together. I hope to generate some new things in the process of change, or remove the original functions of materials, and then manually intervene in some self feelings related to the artist himself, or the artist’s feelings in his original editing line or mechanization process.

As for the selection of materials, Feng Zhixuan likes the irreplaceability of materials. He believes that there must be cultural attributes behind the materials, and also believes that this cultural attribute is the strongest.

Therefore, the tension in his sculpture installation also stems from his own strength, which constantly permeates into wealth.

Feng Zhixuan:

He likes to dynamically integrate elements such as mythology, decoration, exploration, and spatial imagination, presenting a nomadic archipelago civilization that transcends a single period and specific location. This civilization is vividly reflected in his works, and the audience also feels the fusion and collision of globalization and localization.

Feng Zhixuan’s Exhibition

Feng Zhixuan’s works have been exhibited multiple times in large-scale exhibitions both domestically and internationally, such as “Rotant Palace” and “Northern Landscape” solo exhibitions, as well as in collective exhibitions such as “Illusion” and “Otto Immortal Goes to the Sea”. His works have also participated in international art exhibitions, such as the German exhibition “A truck parked on the grass next to two trees”, further expanding his international influence.

Sources

yishubaike

Feng Zhixuan: Dominator

Feng Zhixuan | Artist nominated for the 8th Tomorrow Sculpture Award

Categories
Contemporary 当代 艺术家

Contemporary|Chen Dandizi – Multimedia Art and the Human Emotional Environment

Chen Dandizi was born in Hezhou, Guangxi, China in 1990. And graduated from the Oil Painting Department of Guangzhou Academy of Fine Arts in 2015. Her learning experience has laid a solid artistic foundation for her.  During her school years, she not only systematically learned oil painting techniques.

But also extensively explored various art fields such as video recording, installation, photography, and literature. These diverse learning experiences provided her with rich sources of inspiration for her artistic creations.

Thorn Crown, by Chen Dandizi
detail:78 x 60 x 5cm stainless steel baked paint 2020

Her artistic journey began with a love for beauty and a profound insight into the world. Through observation, experience, and reflection on life. And her works convey profound humanistic care and a keen perception of the changing times. Chen Dandizi ‘s works have the characteristic of media symbiosis.

And she is good at using different artistic media to express her thoughts and emotions. Her works include the video series “Rooms” and a series of works without a series, such as “Deep Relax”, “Cosma”, and “Futurism”.

art work by Chen dandizi

Among them, in the video work “Rooms”. She creates a tense and oppressive atmosphere by repeatedly turning on and off the cool tones and indoor light sources.

The changes in the room only occur in the darkness when the lights are off, and in this darkness, people never appear. Leaving only the sound of knives and forks colliding on the dining table in the darkness.

This metaphor surrounding the absence and concealment of the physical body explores the drifting and unreliance of human psychological states in modern society.

This work not only reveals people’s sense of loneliness in modern life, but also showcases Chen Dandizi ‘s profound understanding of human nature and keen grasp of the times.

Photo by Timo Ohler, courtesy of the artist and Hua International, Exhibition Designed by Krista Xueying Yu
The video installation by Chen dandizi

Chen Dandizi said that he is a contradictory person

She grew up in a damp “southern green” environment, and her memories of it were vivid and vivid. “Every spring and summer, plants appear washed green, and the roots, leaves, and branches are filled with water vapor.” The scene of returning to the southern sky became clearer and more specific. “The ceramic walls of the building were” shedding tears “, and the moisture of moss dyed the white walls green. People and animals and plants are receiving the warmth and humidity of nature together.” Such memories continue to influence Chen Dandizi ‘s creation.

courtesy of the artist and Hua International,by Chen dandizi

Her works always explore the alienation of human emotions, the hopes and despair of alienated individuals, and the observation of natural and imagined landscapes through the depiction of recurring phenomena in both the natural and artificial worlds. Her works create a new visual experience by recombining and transforming everyday objects, leading the audience to rethink the real world.

The installation art work by Chen dandizi

Chen Dandizi ‘s artistic exploration theme always focuses on self-awareness and observation of the living environment, hoping to reveal the hidden relationship between unique moments and emotions.

Chen Dandizi ‘s flute explores the depths of human spirit and the changes of the times through his artistic practice, conveying his love and care for life, society, and nature through his works.Her works have been exhibited at Hull Space Beijing Space, Yinchuan Contemporary Art Museum, Berlin Gallery Week K60 Group Exhibition, New Century Contemporary Art Foundation, Times Art Center (Berlin), UCCA Ullens Contemporary Art Center, etc.

Sources

HUA INTERNATIONAL

ARTIST

On the coldest winter day in Beijing, hide in the “tropical room” of Chen Dan’s flute

Chen Dan’s Flute | Capturing Sensory Experience and Perception in an Instant