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在博物馆 传统 典藏故事 古代

Dougong Museum | Pagoda of Fogong Temple: The World’s Three Greatest Towers

The Sakyamuni Pagoda of Fogong Temple is the world’s oldest, best-preserved and tallest surviving pure wooden structure in the pavilion style. It is also known as the “Dougong Museum”.

In November 2012, The Sakyamuni Pagoda of Fogong Temple was included in the preparatory list of China’s World Heritage Sites. With the Leaning Tower of Pisa, Italy, the Eiffel Tower in Paris and called the world’s three major towers.

pagoda

The total height of the Shakyamuni Pagoda 65.838 metres, the plane is octagonal, three rooms on each side.

Pagoda has a total of five layers of bright layer, four layers of dark layer. That is to say, if visitors from the outside look at the bright surface is visible as five layers, while the actual number of layers can be counted inside is nine.

The entire pagoda is constructed of wood and mortise and tenon joinery, a traditional Chinese wood craft.

Diagram of the internal structure of the padoga
Diagram of the internal structure of the padoga

Craftsmanship of Sakyamuni Pagoda

Sakyamuni Pagoda was built as a purely wooden pavilion-style pagoda. Its architectural design inherited after the Han and Tang dynasties(202 B.C. to 907 A.D.), rich in national characteristics of the heavy building form.

At the same time, it makes full use of the traditional ancient techniques and uses a large number of dougong structures. The whole pagoda has 54 kinds of Dougong, and each dougong has different combinations of forms. Each layer forms an octagonal hollow structural layer.

Dougong (a system of brackets inserted between the top of a column and a crossbeam) is one of the moset important characteristics in traditional Chinese architecture.

dougong

The design of Shakyamuni Pagoda is so precise that it has the reputation of being a masterpiece of craftsmanship. Overall, the Sakyamuni Pagoda manages to incorporate both traditional Chinese ethnic features and Buddhist religious culture.

Traditional Chinese Wooden Building Technology–Mortise and Tenon

Firstly, Mortise and tenon is the joining structure of Chinese woodwork. The protruding part is the tenon and the recessed part is the mortise. The tenon and the mortise connect closely with each other to get a stable structure.

Further, Mortise and tenon is one of the essential skills of Chinese carpenters, usually for making ancient furniture or constructing ancient buildings. The mortise and tenon joints do not use nails or glue for a tight and seamless fit.

gif of mortise and tenon
Mortise and Tenon

Above all, this is one of the most prominent features of the Sakyamuni Pagoda.

Sakyamuni Pagoda and its cultural heritage

There are 26 statues of Buddha in the Shakyamuni Pagoda. The murals inside the pagoda are all painted, totalling about 646 square metres. A total of 51 plaques and couplets were found in the compartments of the pagoda.

In addition, 160 pieces of cultural relics from the Liao Dynasty (907-1125) were found, including Buddhist scriptures inside the statues, relics of the Buddha’s teeth and statues of the Buddha.

Chronology of the construction of the pagoda

Besides the Liao Dynasty cultural heritage found in the pagoda, there are many and then later generations of repair process added a variety of ancillary cultural relics.

For example, the Ming Wanli years (1579) placed in the tower on the south side of the iron building. Ming Dynasty (1622) built in the bell tower of the iron bell. As well as a pair of iron lions and stone lions built in the Ming Dynasty.

Sakyamuni Pagoda is located in the temple compound of Fogong Temple in Ying County, Shuozhou, Shanxi. There are eight historical sites present in the temple:

  • a wooden pagoda respectively.
  • a bell tower located in front of the Sakyamuni Pagoda and a drum tower.
  • The Sakyamuni Pagoda.
  • The main hall, the Mahamudra Temple.
  • The two ear rooms distributed on the left and right beside the hall.
  • And between the hall and the tower of a pagoda gatehouse.
Rendering of the sakyamuni pagoda site
Photo from 《应县木塔》, Chen Mingda

The Discovery of Sakyamuni Pagoda

The pagoda has survived more than 40 earthquakes and more than 200 shellings during the war and is still standing for 1,000 years.

However, the pagoda’s structure has been subjected to a long period of natural environmental aggression and the aging of its components, resulting in the present-day deformation of the pagoda’s structure.

Liang Shih-cheng was a Chinese architectural historian, architect and urban planner.

He devoted his life to the preservation of ancient Chinese architecture and cultural heritage. Likewise, he is the discoverer of the fact that the Sakyamuni Pagoda of Fogong Temple was built in modern times.

Liang Shih-cheng with the pagoda
Liang Shih-cheng with the pagoda

Some people have commented that“If Liang Shih-cheng hadn’t found a construction–the Sakyamuni Pagoda in Yingxian County in the 1930s. people couldn’t have understood the content of Yingzao Fashi.

The ‘Yingzao Fashi’ is China’s first official work detailing the practice of architectural engineering, which clearly records some of the design constructions in the Sakyamuni Pagoda.

In 1932, Liang Shih-cheng came across an archaeological report written by a Japanese scholar about northern China. In this report, this wooden pagoda built in the 11th century was explicitly mentioned.

Liang Shih-cheng‘s friend

Thus, based on Liang Sicheng’s search for ancient architecture and his preparation for the compilation of the ‘Notes on Yingzao Fashi’. So there will be the next for the Sakyamuni Pagoda investigation.

After a long period of investigation by Liang Shih-cheng and his friends.To clarify, the most recent hand-drawn drawing of the Sakyamuni Pagoda dates from 1935.

Hand-drawing of Sakyamuni Pagoda by Liang Shih-cheng
Hand-drawing of Sakyamuni Pagoda by Liang Shih-cheng

This hand-drawing and the content of the investigation for the present for the study of the Shijia Pagoda is of great significance.

Sources

Liu Yan, A Translation Report on Sakyamuni Pagoda, Fogong Temple

Huang Xiaoshu, Study on Integrated Conservation of The Sakya Pagoda of Fogong Temple in Yingxian,Shanxi Province

Image source National Geographic China

Chen Mingda, Yingxian Muta

Other image source Internet and thesis

Categories
Museums 在博物馆 传统 典藏故事 古代 纵观艺术

Nanjing Museum | Seven Wonders of the Medieval World — Porcelain Arch

The Porcelain arch of Nanjing is an important architectural component of the Porcelain Tower of Nanjing in the Great Bao’en Temple. Which represents the royal temple architecture of the Ming Dynasty (from 1368 to 1644).

The Porcelain Tower of Nanjing was built in the early Ming Dynasty (mid-15th century). And destroyed in the late Qing Dynasty (late 19th century). The Porcelain Tower was designed and built by The Yongle Emperor Zhu Di (reigned 1402-1424) in order to repay his parents for their kindness.

The Tower, which took nearly 20 years to build, is 78.2 meters high and has 9 floors and 8 sides. It is also one of the tallest buildings in ancient China with exact records. Due to the infighting of the Taiping Heavenly Kingdom in Nanjing during the late Qing Dynasty, the glazed tower collapsed. Due to the infighting of the Taiping Heavenly Kingdom in Nanjing at the end of the 19th century (1864), the glazed pagoda collapsed. Nowadays, only one set of Porcelain arches is left in the world for us to visit. This set is currently being collected in the Nanjing Museum as a town treasure.

Porcelain arch in the collection of Nanjing Museum

The Porcelain arch

Unearthed in 1958 at the former site of the glazed kiln outside the Zhonghua Gate in Nanjing. At the time of excavation, it was only a batch of defective glazed bricks with mottled glaze, which were later assembled and restored according to the data. The colorful glazed were made through a special process, which can be found on the surviving Porcelain arch.

Front view of the arch

The tower was built with white porcelain bricks that were said to reflect the sun’s rays during the day, and at night as many as 140 lamps were hung from the building to illuminate the tower.

Digital restoration
Digital restoration of the Porcelain tower

Why didn’t the surviving set of Porcelain arche disappear with the Porcelain Tower of Nanjing?

This is because during the construction of the Porcelain tower, three complete sets of tower builds were fired in order to facilitate subsequent repair work. One set was damaged together with the collapsed glazed tower at that time. While the remaining two sets were buried in the ground. The remaining set was found underground.

Designs on the arch

The image on the archway is the dharma decoration (six apparatuses) unique to Tibetan Buddhism Tantric Buddhism. During the reign of Ming Yongle (1402-1424), the Ming government organized several visits to Tibet by Chinese Buddhist monks, and some monks went to Nanjing for exchanges. At that time, the Nanjing Dajianen Temple was still under construction, so it was influenced by Tibetan Tantric Buddhism.

Design on the arch

Story between The Porcelain Tower and the West

In the 17th century, the European traveler Johan Nieuhof discovered The Porcelain Tower of Nanjing in the Great Bao’en Temple, and made a painting of it, which he brought back to Europe.

The painting of Johan Nieuhof
The Painting of The Porcelain Tower of Nanjing, Johan Nieuhof

This had a grand impact on Western architecture at the time. The design of the Trianon Palace in Paris, and the Kew Gardens Tower in London, were heavily influenced by this.

There is also a particularly interesting story: in ancient Chinese architecture, the number of stories of a tower is basically singular, whereas the imitation towers built in the West are all ten-story. This is because Johan Nieuhof made a mistake and painted the tower with ten stories.

Hand-drawn drawings of Porcelain Tower
Hand-drawn drawings of Porcelain Tower

Nowadays, Nanjing Dajian’en Temple has rebuilt the glazed tower. However, it was not rebuilt using glazed material. This is to protect the underground palace beneath the ruins of the glazed pagoda, in which precious relics such as the Buddha’s relics and the Ashoka Pagoda have been unearthed.

Source

Web site of Nanjing Museum

Porcelain Tower, by Johan Nieuhof

Historical accounts and other information from CNKI (the China Knowledge Network)